REVIEW: The Pembroke Players’ ‘Romeo and Juliet’ gets to the heart of Shakespeare

REVIEW: The Pembroke Players’ ‘Romeo and Juliet’ gets to the heart of Shakespeare.

REVIEW: The Pembroke Players’ ‘Romeo and Juliet’ gets to the heart of Shakespeare. - Credit: Archant

This group, more than any other I have witnessed lately, gets to the heart of Shakespeare: his words.

With absolutely clear diction, dynamic action and minimal props and scenery, this fine group gave us Shakespeare’s play in a nutshell: the tale of two young lovers from opposing enemy families.

Nothing was lost with cutting the cast to the bone, leaving out the male heads of the households for example.

For Shakespeare was not averse to strong women and the matriarchal heads of families, Lady Capulet (played by Dolores Carbonari) and Lady Montague (Lola Olufemi) certainly held their ground.

The young and good-looking lovers were well represented by Ciarán Green (Romeo) and Emma Corrin (Juliet). Some of the other particularly notable characters were Nurse (Yasmin Freeman) and Mercutio (Justin Blanchard) who spoke and moved confidently and charismatically about the stage keeping us thoroughly enthralled.


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Paris (Will Bishop), Benvolio (Katura Morrish ) Tybalt (Toby Marlow), and Friar Laurence (William Ashford) were also highly creditable characters helping the plot move to its dramatic end.

The additional modern feel of this production, especially the wonderfully choreographed dance to music out of Shakespeare’s time, added spice to this impressive production.

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Congratulations to director George Kan and his team Tour Manager Romilly Beddow and technical director Charlie Jonas for such an exceptional performance.

If this is any indication, their tour of Japan should be highly successful.

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