A fine concert of music by Mozart and Haydn was presented in Ely Cathedral on Saturday night. 

Taking part were Ely Choral Society, Susanna MacRae (soprano),Emma Lewis (mezzo soprano), Richard Symons (tenor), Harley Jones (bass), Camarete (orchestra), Glen Dempsey (organist) and Andrew Parnell (conductor).  

These musicians managed to give true value to these two well-known composers.  

The works performed were ‘Divertimento in D for Strings’ by Mozart, ‘Salve Regina’ by Haydn, and Mozart’s ‘Requiem’ made a splendid finale for the concert.   

At first, the programme appears to contain music of a similar nature and it would be so easy to slip into a nonchalant, almost blasé approach to this ‘easy’ music with which the musicians are no doubt very familiar. 

That was most conspicuous this evening was that this was far from the case. Choir, soloists and orchestra were all very attentive to the music and its needs.   

The evening opened with the ‘Divertimento’ played by the orchestra, ‘Camerata East’ and it did, indeed, prove entertaining.  

Under the keen leadership of Helen Medlock in violin 1 position, these fine musicians were constantly together and worked unanimously to develop and highlight the variety of expressions ranging from the light, joyful opening and the strong, beautiful togetherness of the Andante to the amazingly rapid runs that never faltered in the Presto.  

The clarity and expressiveness of their performance were phenomenal.  

The next work in the programme was the ‘Salve Regina’ (‘Hail, Holy Queen’).  

Of the soloists in this work, the soprano and tenor were particularly impressive. It was here that the tenor’s ‘presence’ was clearly felt, while the soprano demonstrated a phenomenal technique and expressive awareness that was noticeable throughout all her performance this evening.  

The mezzo soprano was also a valued contributor. The choir was well founded, had a strong well-balanced tone and was particularly well-focused as it was in its performance throughout the evening.  

In this piece, the organist, showed particular skill in providing subtle effects that enhanced the music considerably.    

The finale, the Requiem, although familiar, was a tribute to the real value of listening to music live.  

There were constant reminders of the value of subtle adaptations and changes within the scope of the expressions required.  

The bassoon and clarinet were especially melodious in the ‘Kyrie Eleison.’ The deep tones of the basses and bass brass instruments brought forth a strong sense of the darkness within this work.  

Especially noticeable was the trombone in Tuba Mirum. The women’s voices branched into beautiful angelic moments at times and were equally able to combine with the others to produce a very strong, declarative statement as in the opening of the ‘Sanctus’.   

The tears in the Lacrimosa were beautifully expressed in the orchestra. The parts balanced and gave strong expression in the more contrapuntal entries when one part replicated the other to produce a denser, one might say – more traumatic - texture. 

 There were numerous other subtleties that made the whole work a mesmerising and unforgettable testament to the timelessness of Mozart’s music and its effects.  

Congratulations must go to the conductor, Andrew Parnell for such a fine evening of excellent music.   

Ely Choral Society’s next concert is on Saturday 8th July 2023in Ely Cathedral with Ely Sinfonia. They will perform works Vaughan Williams, Beethoven and Chilcott.