REVIEW: Viva Soham and King’s Ely’s ‘The Dreaming’ is ‘no youth production - it was first class theatre’

PUBLISHED: 15:14 07 August 2017

The cast of 'The Dreaming'. PHOTO: Mike Rouse.

The cast of 'The Dreaming'. PHOTO: Mike Rouse.

Archant

Inspired by Shakespeare’s ‘A Midsummer Night’s Dream’, the production of ‘The Dreaming’ presented in the Hayward Theatre last week was amazing.

The cast of 'The Dreaming'. PHOTO: Mike Rouse. The cast of 'The Dreaming'. PHOTO: Mike Rouse.

The logistics of combining two of the most renowned theatre groups in the area, Viva and King’s Ely, must have been challenging enough, but creating successfully such a believable world of fantasy and reality with stage limitations in preparation for appearing at the Edinburgh Fringe, took sheer genius. Director Jeremy James Taylor, founder of The National Youth Music Theatre, is indeed a weaver of magic. With producers Dan Schumann (Viva) and Nick Huntingdon (King’s Ely) the show transported us into a world of contrasts, from the genteel superficiality of the well-to do, hilarious down-to-earth light-hearted comedy, to manic mayhem and sinister undertones that foretold the brutality and cruelty of the First World War with the loss of the lives of so many young men, men who were never to have the children of the next generation.

This was no ‘youth production’. It was first class theatre. The acting, singing, dancing and orchestral accompaniments were superb.

The magic of this show was no frivolous affair, but a robust, potent, primeval leap into the darkness of the unknown.

The cast of 'The Dreaming'. PHOTO: Mike Rouse. The cast of 'The Dreaming'. PHOTO: Mike Rouse.

Fantastic choreography (by Jessica Clifford and Chris Cuming) and clever stage direction moved the drama from scene to scene in a continuous, energetic flow, shifting seamlessly from poignant solo to the astounding, often frenzied, actions of the Boy and Girl Woodlanders.

Key characters stood out, their respective personality traits strongly and credibly displayed.

The confident Jack, a blacksmith’s boy (Crobin Abassi) played a pivotal part in the typical Shakespearian-type mistaken identity and resulting comedy. Emotionally-charged scenes of lovers and unrequited lovers in battle, a bunch of simple local folk endeavouring to put on a first class play of their own but not necessarily succeeding, and a touch of fervent patriotism with St George and the Dragon effortlessly fell into place, only possible because of such a sustained high standard of direction, performance and support from very skilled team members.

Jeremy James Taylor and Nick Huntingdon. PHOTO: Mike Rouse. Jeremy James Taylor and Nick Huntingdon. PHOTO: Mike Rouse.

Other particularly memorable individual characters included Angel (Jordan Thorpe), Sylvia (Eloise George), the Villagers: Nick Cheek (Ben Clark), Reverend Herbert Plum ( David Tickner), Jess Dunn (Freddie Bowles), Walter Grub (Pierre Taffara-Cox) Bob Fry (Peter Crussell) and Seth Wilmot (Steven Beach) and the lovers: Alexander (Joseph Beach), David Swan (Daniel Lane), Charlotte Matthews (Riley Williames) Jennifer Farthing (Zara Minns), Henrietta (Kerry Hibbit) and Julian (Max Bovington).

This marvellous production should be highly successful in the Edinburgh Fringe on August 11 and 12.

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